[Summary: This is the nineteenth (19th) of the binaural experiments. It uses a tone based on a minor chord with a movement-based modulation.]

[Summary: This is the eighteenth (18th) of the binaural experiments. It's an asymmetrical descent base tone with a gentle modulation that should work well with visuals that move back and forth, for various reasons.]

[Summary: This is the seventeenth (17th) of the binaural experiments. It's designed to do two things, primarily, which are slightly different to the normal experiments.]

[Summary: The sixteenth (16th) binaural audio experiment. The tone is similar to Experiment XII, but goes deeper and uses a different modulation pattern.]

[Summary: The fifteenth (15th) of the binaural experiments. This audio is designed to create somewhat conflicting states of relaxation/arousal at different rates, to see which ultimately "wins."]

[Summary: This is the fourteenth (14th) of the binaural experiments. This one is designed, unlike most, simply to put you to sleep. You may or may not enter a trance or suggestible state during that process.]

[Summary: This is the thirteenth (13th) of the binaural experiments. This one features an entirely new component - an audio illusion - as well as one of my favorite modulation patterns.]

[Summary: The first of the binaural experiments with suggestions included.]

[Summary: This is the twelfth (12th) of the binaural experiments. Continuing the trend, it uses modulation patterns to create interesting effects for (and on) the listener. Here, the focus is the number four.]

[Summary: This is the eleventh (11th) of the binaural experiments. Continuing the trend, it uses modulation patterns to create interesting effects for (and on) the listener. Breaking the trend, it uses a specific number of those effect layers and modulations - specifically, three.]